The major problem is that The Cell continuously echoes The Silence of the Lambs, only minus the intricate character interplay, Jonathan Demme's direction and the taut storyline.. All torture, all the time, all photographed (by Paul Laufer) and production designed (by Tom Foden) as if it were a TV spot for Chanel.. The trippy, highly mannered, widely referential imagery is certainly its strongest selling point, despite wonderfully grounding (and, on the rides, bizarre) work by Lopez.. Beneath the...
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